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We are twenty-first century printmakers.

At Simian Press, we are artists, writers and educators and we produce limited editions of hand bound books for artists and writers. We also produce prints and broadsides and publish the literary journal of micro fiction and poetry, LINEA. We are a small and versatile shop, employing both digital and analog technologies to create beautiful prints, books and broadsides.

Featured Projects Imagining the Pando The title for this series, Imagining the Pando pays homage to the Pando, the largest aspen grove in the world, located in the United States in...READ MORE View Project The title for this series, Imagining the Pando pays homage to the Pando, the largest aspen grove in the world, located in the United States in the Fishlake National Forest (Utah). Spanning some 106 acres and inhabiting over 40,000 individual trees, this single organism is thought to be the oldest and largest living structure on our planet. Each of the 40,000 trees in the Pando share identical DNA. They are “clones” or part of one organic whole... READ MORE View Project Featured Projects Imagining the Pando Featured Projects Imagining the Pando View Project The title for this series, Imagining the Pando pays homage to the Pando, the largest aspen grove in the world, located in the United States in the Fishlake National Forest (Utah). Spanning some 106 acres and inhabiting over 40,000 individual trees, this single organism is thought to be the oldest and largest living structure on our planet. Each of the 40,000 trees in the Pando share identical DNA. They are “clones” or part of one organic whole...READ MORE Featured Projects from The Carnival Series View Project The Wizardry of Frozen Lemonade There was a kind of magic I felt in making this print. A photo etching on copper of ghostly figures captured in a blaze of light at an annual county fair I attend each year in western Massachusetts called, The Big E (Eastern States Exposition). If you’ve never been to The Big E, go!

Varied Edition of 15 prints with 2 Artist Proofs.
Pure Etch, Aquatint. Printed on Hahnemühle and Rives BFK etching papers... READ MORE
A photo etching on copper of ghostly figures captured in a blaze of light at an annual county fair I attend each year in western Massachusetts called, The Big E. If you’ve never been...READ MORE View Project The Wizardry of
Frozen Lemonade
from The Carnival Series Featured Projects Featured Projects from The Carnival Series View Project The Wizardry of Frozen Lemonade There was a kind of magic I felt in making this print. A photo etching on copper of ghostly figures captured in a blaze of light at an annual county fair I attend each year in western Massachusetts called, The Big E (Eastern States Exposition). If you’ve never been to The Big E, go!

Varied Edition of 15 prints with 2 Artist Proofs.
Pure Etch, Aquatint. Printed on Hahnemühle and Rives BFK etching papers...READ MORE
Featured Projects from The Stonington, Maine series View Project Robin's House Robin lives across the street from us in Stonington, Maine. Her house features prominently in our lovely view of the harbor. In 2020, Robin painted her house a bright blue color. Initially, this newly painted blue house felt like an imposition on the landscape. I did not like it. Once I accepted that I needed to love what I didn’t like, Robin’s bright blue house became the inspiration for hand coloring these woodblock prints.

Printed from a block carved in birch plywood. Image size: 5×8 inches. Two Varied Editions of 25 prints. Printed on Savoy Bright white card stock on a 1930’s Poco proof press, each unique print is then hand colored. Also available in black ink on Kitakata rice paper.
Robin lives across the street from us in Stonington, Maine. Her house features prominently in our lovely view of the harbor...READ MORE View Project Robin's House from The Stonington, Maine series Featured Projects Featured Projects from The Stonington, Maine series View Project Robin's House Robin lives across the street from us in Stonington, Maine. Her house features prominently in our lovely view of the harbor. In 2020, Robin painted her house a bright blue color. Initially, this newly painted blue house felt like an imposition on the landscape. I did not like it. Once I accepted that I needed to love what I didn’t like, Robin’s bright blue house became the inspiration for hand coloring these woodblock prints.

Printed from a block carved in birch plywood. Image size: 5×8 inches. Two Varied Editions of 25 prints. Printed on Savoy Bright white card stock on a 1930’s Poco proof press, each unique print is then hand colored. Also available in black ink on Kitakata rice paper.
Featured Projects from the Civilwarland series View Project American History 1 I believe the failure of the United States to collectively confront the causes and consequences of our American civil war continues to haunt our nation. The horror of slavery, the failure of post civil war Reconstruction, the terrors of Jim Crow laws and the resulting generations of segregation throughout the United States have created a legacy of anguish and rage. This series of work deals with my observations and feelings about this ongoing moral crisis in the United States. I believe the failure of the United States to collectively confront the causes and consequences of our American civil war continues to haunt our nation...READ MORE View Project Featured Projects from the Civilwarland series American History 1 Featured Projects from the Civilwarland series View Project American History 1 I believe the failure of the United States to collectively confront the causes and consequences of our American civil war continues to haunt our nation. The horror of slavery, the failure of post civil war Reconstruction, the terrors of Jim Crow laws and the resulting generations of segregation throughout the United States have created a legacy of anguish and rage. This series of work deals with my observations and feelings about this ongoing moral crisis in the United States. Featured Projects The Coelho Drawings View Project Tempest and other drawings, a suite of eight Before I began this series of digital drawings, I had spent a substantial period of time working on collagraph prints...READ MORE Tempest and other drawings Before I began this series of digital drawings, I had spent a substantial period of time working on collagraph prints that spoke the language of painting, and also looking at cartographic spaces – lands shaped and eroded by winds, raked by sweeping waves, where mist diffuses the light.
 
Through drawing, I continued to work on these strange natural lands, however, I sought to further merge together states and qualities of the natural elements: the physicality of the land, the fluidity of the water, the volatility of the atmosphere. I drew both from life and from imagination. Working in black and white allowed me to focus more on value and avoid the complications and challenges that color sometimes brings to the composition. READ MORE...
View Project Featured Projects The Coelho Drawings Featured Projects The Coelho Drawings View Project Tempest and other drawings, a suite of eight Before I began this series of digital drawings, I had spent a substantial period of time working on collagraph prints that spoke the language of painting, and also looking at cartographic spaces – lands shaped and eroded by winds, raked by sweeping waves, where mist diffuses the light.
 
Through drawing, I continued to work on these strange natural lands, however, I sought to further merge together states and qualities of the natural elements: the physicality of the land, the fluidity of the water, the volatility of the atmosphere. 
READ MORE...

Group Project Woodcut Workshops & The Teeny Tiny Press Workshops

Please check back in June for our 2026 summer workshop schedule.

A few years ago I purchased a “teeny tiny” etching press from a company in England called OpenPress. At 7.5 x 23 cm or 3×9 inches, this little bundle of joy is 3-D printed (cool!), using 21st technology and includes a stainless steel roller, a wool blankie and a tiny 3-D printed drypoint needle. In August 2022, in conjunction with the Stonington Public Library in Stonington, Maine, I hosted a workshop using this little press. Attendees varied in age from 5 to 85 and everyone made their own tiny print(s)! The first print was a section view of Andy Gove’s House carved onto a tiny piece of linoleum, printed on Gampi paper.

In April 2023 I hosted a group woodcut workshop at the Deer Isle Artists Association. Participants each carved a 6×6 inch potion of a 36 x 36 inch woodblock which we printed by hand on Kitakata rice paper using Japanese bamboo barrens, western glass barrens and a variety of other low-tech tools – including wooden spoons!

For more information and to purchase your own tiny press: www.openpressproject.com

The Circus Woodcuts with Big Ink

In 2018, I carved a large scale woodblock titled, My Pyrrhic Victory!. Based on a mash-up of thirteen drawings of persons, places and things both real and imagined, this print was proofed on The Big Tuna press at the Deedee Shattuck Gallery in Westport, MA in conjunction with Lyell Castonguay and Big Ink. In 2018 and 2019, the remaining thirty prints for the edition were pulled at MassArt in Boston.

In 2022, I carved the second block in this series, Carpe Omnia! I returned to the Deedee Shattuck gallery to work with Lyell again on the Big Tuna press. This press it is quite a wonder – it can print close to 8 feet in length and 44 inches in height!

IN PRAISE OF LINEA

“LINEA is a small, hand bound edition, beautifully constructed, expertly designed and edited. It is valuable not only as a work of art, but also for the dedication to experimentation and joy.

As the dynamics of publishing have been radically altered through technology and economic forces, it is important to note that this project is like a well-tended garden, cultivating vision and elegance, and helping to nourish our community.”

-Lisa F. Enzer, M.Ed

… LINEA is a magazine of short fiction, an experiment with form relevant to 21st Century readers, to the urgency of their lives: Compressed, as you read, the form explodes into meaning.

(LINEA) is the brainchild and labor of love of three local women: Adell Donaghue, Carol Edelstein and Elizabeth George. Adell, a visual artist, writer, and educator … founded Simian Press which publishes LINEA. Adell is not only LINEA’s publisher, but its designer. She also drew the illustrations in the book, marking a confluence between visual art and writing, an intersection that deepens LINEA’s relevance: among the current generation of writers and artists across the country, boundaries between form are blurring.

-Candice Reffe

Past Repair by Carol Edelstein

Simian Press is pleased to announce the publication of Carol Edelstein’s third book, Past Repair. A collection of poetry, Past Repair includes drawings and paintings by Adell Donaghue with cover art by Rosamond Purcell.

“Reading Past Repair feels natural, essential, and sometimes as complicated as breathing. If the world seems good even as its goodness is wearing down and wearing out, it is because Edelstein finds ‘prayers to spare in the bodies of birds.’ Hers is an examined life, and she shares her observations with unblinking courage and practiced gratitude.”

– Lisa Allen Ortiz

Listen to Carol’s interview on New England Public Media:

There’s Joy In Using Words To Know The World

The paperback book is available for sale here.

A limited edition hardcover version of the book (50 copies), signed by the author and artists is available here.

Carol Edelstein reading Djinn